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takerfoxx:
Right, okay, let’s talk about Maleficent: Mistress of Evil.
Oh boy, do I have a lot to unpack here. And, uh, content warning for discussion of rape and genocide.
Right, let’s start with my thoughts on the first one. Overall, I liked it a whole lot, but mostly I’m astounded that it got the go-ahead in the first place. I mean, a bizarre subversive take on Sleeping Beauty of all things that recasts Disney’s most iconic villain as a sort of anti-hero with a heavy feminist slant that had a blatantly unsubtle rape metaphor as its centerpiece? It should have been a trainwreck! Hell, it almost was a trainwreck, one that threatened to jump the tracks the entire runtime! It shouldn’t have worked, it almost didn’t work…but it still did.
Part of that was just how committed everyone involved was to its own mad premise. Say what you want about the idea, but it was ballsy as hell, and it totally went all in with…everything. I mean, you kind of have to just to make something like this work, as any kind of drawback or halfass would’ve caused the whole thing to come crashing down, so the only chance you’ve got is to point the whole endeavor straight at that brick wall and slam your foot down on the ignition. And it went in deep, recontextualizing King Steffen as a paranoid, manipulative, power-hungry madman; the three fairies as total dolts; Prince Philip, someone who might seem dull in comparison to later princes like Aladdin, Eric, or the Beast, but was still the most proactive prince Disney had at that point, as kind of a duffer whom Maleficent had to literally drag along on his own quest and who was understandably squeamish about kissing an unconscious girl against her will; Daival as a dashing sidekick; and completely flips the Maleficent/Aurora relationship on its head. That’s the sort of thing you see in those What If? fanfics that you tend to obsess over in highschool, and it comes packing all of the raw emotion of one of those fics, and because of that it pulls its own crazy premise off. Yes, it was flawed. Yes, there were things that didn’t work. But they almost don’t matter in light of just how impressive it was that they managed to pull something this audacious off.
And as for the rape metaphor…actually, scratch that. Let’s call a spade a spade, okay? It wasn’t a metaphor, that was straight up a rape. Maybe it wasn’t sexual, but what a lot of people forget is that rape isn’t about sex, it’s about power. It’s about dominating another person to take their power away so that the aggressor can feel powerful, and that’s how it was played, and they committed to showing it in all of its ugliness. I mean, holy shit that takes balls.
But the bulk of the reason why it worked was because of Angelina Jolie.
I mean, what an absolutely mesmerizing performance! The OG Maleficent was so memorable in part because everyone else in that movie kind of…wasn’t, but also because she was super cool and super badass and totally in love with being THAT BITCH! And Angelina Jolie absolutely owns that role.
I mean, she is Maleficent. She just took a DNA test, and I don’t need to tell you what the results are. She embodied all of that iconic character’s regal majesty, menace, cruelty, confidence, and knowing that she was the badass bitch to ever vamp about in a long black gown with a bitching pimp staff just ready to show up uninvited and wreak some unholy vengeance, and then some. There is no longer any need to wonder where your god is, because she is right there, and she is all out of mercy.
But then she goes and gives actual depth to a really awesome but still kind of one note character, from the young innocence before she was betrayed to genuinely bonding with young Aurora to her desperate heartbreak over being unable to break her own curse to actual fear when it seems that the mad king has finally got her to…well, the agony of betrayal when she wakes up and fully realizes what Steffen has done to her. That’s a wide range of emotions to have to portray in a character only known for being smirkingly evil or ragingly evil, but she goes in hard, and basically holds the whole haphazard production together through the sheer gravitational pull of her performance.
So when they announced a sequel, I was intrigued. In fact, I was hoping for another totally insane, probably a bad idea production that just goes HAM on whatever crazy topical stuff it wants to talk about with Angelina Jolie just owning everything she touches.
But what it turned out to be…
Sigh.
Okay.
Let’s do this.
All right, I won’t go into specific plot details until I reach the spoiler cut, because they’re not really important. What I want to get across is the first third of this movie, it really had me. It was good! It had everything I liked about the first one. Different situation, sure, but we had Maleficent being Maleficent and bouncing off other characters, both old and new, and it was good.
Then the second third rolled around, and things started to come apart. I mean, it didn’t totally lose me or anything, there was a lot of good stuff, we learn a lot of cool lore, there’s a kickass Zootopia-type place we visit with a whole bunch of biomes, and I was generally okay with how things were, assuming that they could stick the landing. But the big problem here was that there was a whole lot less of Maleficent. Oh, she was there, sure, but she wasn’t really…doing much, mostly just walking around while some other character explained exposition to her, to which she barely even reacts, so we’re left with Aurora and Philip and Michelle Pfieffer as the new evil queen to do all the heavy lifting. And they do an admirable job of it I suppose (though the lack of romantic chemistry between Aurora and Philip was really noticeable here), but this part was seriously missing Angelina Jolie’s overwhelming presence that the first movie had, so the seams started to show.
And then we get to the third act, and that’s where it all fell apart for me. So, I guess it’s spoiler time.
Keep reading

takerfoxx:
Right, okay, let’s talk about Maleficent: Mistress of Evil.
Oh boy, do I have a lot to unpack here. And, uh, content warning for discussion of rape and genocide.
Right, let’s start with my thoughts on the first one. Overall, I liked it a whole lot, but mostly I’m astounded that it got the go-ahead in the first place. I mean, a bizarre subversive take on Sleeping Beauty of all things that recasts Disney’s most iconic villain as a sort of anti-hero with a heavy feminist slant that had a blatantly unsubtle rape metaphor as its centerpiece? It should have been a trainwreck! Hell, it almost was a trainwreck, one that threatened to jump the tracks the entire runtime! It shouldn’t have worked, it almost didn’t work…but it still did.
Part of that was just how committed everyone involved was to its own mad premise. Say what you want about the idea, but it was ballsy as hell, and it totally went all in with…everything. I mean, you kind of have to just to make something like this work, as any kind of drawback or halfass would’ve caused the whole thing to come crashing down, so the only chance you’ve got is to point the whole endeavor straight at that brick wall and slam your foot down on the ignition. And it went in deep, recontextualizing King Steffen as a paranoid, manipulative, power-hungry madman; the three fairies as total dolts; Prince Philip, someone who might seem dull in comparison to later princes like Aladdin, Eric, or the Beast, but was still the most proactive prince Disney had at that point, as kind of a duffer whom Maleficent had to literally drag along on his own quest and who was understandably squeamish about kissing an unconscious girl against her will; Daival as a dashing sidekick; and completely flips the Maleficent/Aurora relationship on its head. That’s the sort of thing you see in those What If? fanfics that you tend to obsess over in highschool, and it comes packing all of the raw emotion of one of those fics, and because of that it pulls its own crazy premise off. Yes, it was flawed. Yes, there were things that didn’t work. But they almost don’t matter in light of just how impressive it was that they managed to pull something this audacious off.
And as for the rape metaphor…actually, scratch that. Let’s call a spade a spade, okay? It wasn’t a metaphor, that was straight up a rape. Maybe it wasn’t sexual, but what a lot of people forget is that rape isn’t about sex, it’s about power. It’s about dominating another person to take their power away so that the aggressor can feel powerful, and that’s how it was played, and they committed to showing it in all of its ugliness. I mean, holy shit that takes balls.
But the bulk of the reason why it worked was because of Angelina Jolie.
I mean, what an absolutely mesmerizing performance! The OG Maleficent was so memorable in part because everyone else in that movie kind of…wasn’t, but also because she was super cool and super badass and totally in love with being THAT BITCH! And Angelina Jolie absolutely owns that role.
I mean, she is Maleficent. She just took a DNA test, and I don’t need to tell you what the results are. She embodied all of that iconic character’s regal majesty, menace, cruelty, confidence, and knowing that she was the badass bitch to ever vamp about in a long black gown with a bitching pimp staff just ready to show up uninvited and wreak some unholy vengeance, and then some. There is no longer any need to wonder where your god is, because she is right there, and she is all out of mercy.
But then she goes and gives actual depth to a really awesome but still kind of one note character, from the young innocence before she was betrayed to genuinely bonding with young Aurora to her desperate heartbreak over being unable to break her own curse to actual fear when it seems that the mad king has finally got her to…well, the agony of betrayal when she wakes up and fully realizes what Steffen has done to her. That’s a wide range of emotions to have to portray in a character only known for being smirkingly evil or ragingly evil, but she goes in hard, and basically holds the whole haphazard production together through the sheer gravitational pull of her performance.
So when they announced a sequel, I was intrigued. In fact, I was hoping for another totally insane, probably a bad idea production that just goes HAM on whatever crazy topical stuff it wants to talk about with Angelina Jolie just owning everything she touches.
But what it turned out to be…
Sigh.
Okay.
Let’s do this.
All right, I won’t go into specific plot details until I reach the spoiler cut, because they’re not really important. What I want to get across is the first third of this movie, it really had me. It was good! It had everything I liked about the first one. Different situation, sure, but we had Maleficent being Maleficent and bouncing off other characters, both old and new, and it was good.
Then the second third rolled around, and things started to come apart. I mean, it didn’t totally lose me or anything, there was a lot of good stuff, we learn a lot of cool lore, there’s a kickass Zootopia-type place we visit with a whole bunch of biomes, and I was generally okay with how things were, assuming that they could stick the landing. But the big problem here was that there was a whole lot less of Maleficent. Oh, she was there, sure, but she wasn’t really…doing much, mostly just walking around while some other character explained exposition to her, to which she barely even reacts, so we’re left with Aurora and Philip and Michelle Pfieffer as the new evil queen to do all the heavy lifting. And they do an admirable job of it I suppose (though the lack of romantic chemistry between Aurora and Philip was really noticeable here), but this part was seriously missing Angelina Jolie’s overwhelming presence that the first movie had, so the seams started to show.
And then we get to the third act, and that’s where it all fell apart for me. So, I guess it’s spoiler time.
Keep reading
