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The problem with all the characters being minorities is when some of them have to die or be bad guys I’m wondering if I’m playing into stereotypes. Two lesbians get possessed and try and end the world but they’re portrayed sympathetically and kinda tragically I guess? A female character literally sacrifices herself to raise a God to protect her home and family and now I’m wondering if I’m killing too many female characters although I still have lots (including a native american head of antarctic research and a 100+ year old grandma). IDK it’s hard to try and redeem really racist worldbuilding.
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The characters have just had to do a carjacking and are trying to get to White Sands before Azathoth eats everyone. Rudy is a human, Kai is a Deep One. Kai helped scare the people out of the car by screaming at them in Deep Tongue.

“I know.” Kai shrugs. “I just-”

“Hate this.” Rudy echoes. He gets a more gentle squeeze. “What did you say to them, when you were scaring them?”

“From the fire of the sea to the scarcity of the sky, I am so incredibly sorry.” Kai gives a huff of helpless humor. “It doesn’t translate well, it’s a lot more abject than that. It’s like a- ‘sorry I ate your kitten’ apology. I couldn’t think of anything else to say.”
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Also, for my own reference, Rudy kinda looks like this when he’s not being blown to disparate atoms by Elder Gods (this happens a lot):

That’s Okieriete Onaodowan, otherwise known as James Madison.
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It’s a Lovecraftian thriller. I’m really proud of this snippet: meet Cthulhu.

It has laid there in the depth for billions of years. Cthulhu had come waking when the world was made, when the star- their star- had been white and dancing and so utterly alien. It had slumbered as it had cooled, settled into comfort and the middle age grind of turning hydrogen into helium and the world had cooled. And now- the star was right again. Hot, blazing, turning the world into living blood and fire, and the living beings within in nothing but living dust, watching, waiting, breathless in the airless world.

The doors open, something within stirs.

It is too large to possibly fit inside the building. A long claw scratches out of some great, forgotten door, tearing and parting the liquid ground and cutting a rivulet deep and wide enough for the Nile, the Amazon, those long-gone deities of water, to flow into and be lost. A tentacle long enough to coil about the world cracks and cracks, searching from a break into the swift-melting stone. A great eye the size of an ocean opens, with a tearing sound like birth of a new moon.

And something, far away, beyond the dying world and the dying star and the whole solar system slowly slipping into its dotage, something looks down at them.

The God, the no longer Dreaming God, turns eyes or something like eyes back up to meet that gaze, lifts itself in beatification from Its bed, Its city, Its tomb. The world around It bursts like a dandelion clock, Rudy flying into his component parts to join those thousand seeds of possibilities, flying into the void to grow.
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achonburike said: Well I’m black and I was reading this like “mhmhmhnoooo” until I got to the shogoth part and then I laughed. I’d read that shit

Lol! Thank you. Yeah, the story is very much a sort of ‘well, maybe all these disenfranchised people in the 1920s were worshiping Cthulhu for a reason’, and working backwards for there to work that out. Turns out that turning reality inside out can sound pretty good if the reality right now is pretty awful.

And yeah, it deals with a lot of racist issues. Some of them older, some of them- as you can see, not quite so old.
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Wondering about the taste of putting Rudy (blind black char) in a position where a bunch of american cops find him at a crime scene (not his fault) and he’s got got time think of how badly he’s fucked before a Deep One rugby tackles him to the ground and a Shoggoth eats the cops.
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Doing Nano to try and get back into writing original stuff. Maybe finish Second Oath (Lovecraft story). Current wordcount is 2,050.

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